Le Marais
Located in the 3rd and 4th arrondissements of Paris, the Marais has a long history that extends as far back as the middle ages. Between the 13th and the 17th centuries, the Marais was predominantly inhabited by aristocrats, princes, and wealthy court officials, who built large, luxury hôtels that still remain standing (1). During the 19th century, however, urban renovations led by Georges-Eugène Haussmann encouraged the aristocrats to move out of the Marais and into newly-renovated parts of the city (2). As a consequence, the Marais, which escaped the city’s urban renewal program, maintaining its narrow, cobblestone streets and medieval charm, became a center for the working class. This eventually caused the Marais to become one of the “poorest” and most “overpopulated” parts of the city, as many “workers and foreign immigrants” settled in the neighborhood (3). The largest wave of immigration occurred at the beginning of the 20th century when a large influx of Ashkenazi Jews from Russia and Poland fled to the Marais in order to escape harmful political programs at home. Shortly afterward, they were followed by Sephardic Jews from North Africa, who primarily settled in the Marais in order to escape ongoing violence and political change at home. As World War Two and multiple independence movements in North Africa came to an end, the number of Sephardic and Ashkenazi Jews settling in the Marais increased (4).
However, some scholars argue that the enactment of the Malraux 1962 law caused the Marais to become deeply affected by gentrification projects. This law made it possible to not only “preserve” but restore large “historical sectors” of the city (5). Prior to the enactment of the Malraux 1962 law, the Marais was predominantly dominated by working-class “merchants, artisans, laborers, and immigrants” who lived in overpopulated apartments. However, when renovation projects began, the price of rent went up, forcing many of the old working-class residents to leave (6). Although a small Sephardic and Ashkenazi Jewish population still remains, much of the neighborhood’s working-class charm is lost - now replaced by high-end clothing stores and trendy cafes. What remains quite fascinating to observe, however, is the coexistence of two quite ethnically different Jewish communities. Despite modern tensions between Arab Muslims and Jews in the Middle East, in the Marais, you will discover a beautiful combination of cultures - a traditional Ashkenazy Jewish deli across the street from a Jewish Tunisian street food shop. Despite their common Jewish identity, it makes you wonder whether peace between Jews and Arab Muslims is also possible.
Quartier de Belleville
Historically, Belleville has been known as one of the most multicultural neighborhoods in Paris, welcoming migrants of many different cultural backgrounds, ethnicities, and religions. It has provided a space for many communities to use art, architecture, and cuisine as tools for “marking the urban landscape” with their history and presence (7). According to historian Gerard Jacquemet, the “symbolic power of Belleville is so great that it overflows its boundaries” (8). Although Belleville is primarily situated in the 20th arrondissement of Paris, parts of the neighborhood lie in and between four different arrondissements (the 19th, 20th, 10th, and 11th). Therefore, much like its diverse cultural make-up, Belleville is quite literally an amalgamation of many different physical, cultural, and historical parts that make up its unique identity.
Once an independent commune, Belleville did not become a part of Paris until 1860 (9). Its history, as well as its location on the “outskirts” of Paris, have contributed to a “collective memory” of Belleville that is greatly defined by social and “spatial solidarities,” as well as a strong sense of identity among its culturally diverse inhabitants (10). The first wave of migration to Belleville occurred during the second half of the 19th century when many workers were forced out of the center of Paris due to Georges-Eugène Haussman’s “radical” urban renovation project.
Between 1831 and 1846, the population of Paris jumped from 759,000 to over 1 million inhabitants (11). This not only caused the city to become overcrowded but extremely dirty and rampant with disease. The city’s overpopulation, therefore, became an acute social problem, inspiring Emperor Napoleon III to hire Haussman and begin one of the “most extensive public works” projects ever “voluntarily carried out in a European city" (12). The construction lasted for over 17 years (13). Although Haussman can be thanked for the city’s iconic wide, tree-lined streets, elegant architecture, large parks, and squares, his renovations resulted in the destruction of nearly 12,000 buildings - most of which housed poor and working-class Parisians (14). As reported in a story by the Guardian, Haussmans’ renovations “cut a swathe through the cramped and chaotic labyrinth of slum streets in the city center,” causing thousands of people to become displaced (15). Moreover, the renovations caused the standard of living in Paris to increase dramatically. This was not an unintended consequence of the renovations but one that Haussmann encouraged. In a letter to Napoléon III, Haussmann argued that it was necessary to «accepter dans une juste mesure la cherté des loyers et des vivres [...] comme un auxiliaire utile pour défendre Paris contre l’invasion des ouvriers de la province» (16). He, therefore, believed that the high cost of living was a desirable consequence of the renovations. It would, for many years to come, be used as a critical tool for protecting the city against the “provincial workers'' who infiltrated it (17). Consequently, many republican opponents considered Haussman’s renovations to be an “imperialist tool” for fermenting division and “civil unrest in working-class areas” (18). Others also accused Haussman of “social engineering” by “destroying economically mixed areas' ' where the wealthy and the poor interacted and instead creating distinctly “wealthy” arrondissements (19).
Given that Belleville had not yet been considered a part of Paris at the start of Haussman’s renovations, many working-class Parisians, who were forced out of the center of the city, moved to Belleville. Therefore, even in its early history, Belleville has been deeply associated with the working class, serving as a refuge for the “unwanted” members of society or those who have quite been kept in the margins. Like the Marais, the working-class status of Belleville inspired many foreign immigrants to begin settling in the neighborhood.
The first large wave of foreign immigration occurred in the early 20th century, during the interwar period. It began with the settlement of Armenians, Greeks, and Polish Ashkenazi Jews who attempted to escape harmful political programs in their home countries (20). This first wave of foreign immigrants contributed heavily to the development of an already strong crafts industry in Belleville - particularly in the areas of leather, clothing, and shoes (21). Many of the Ashkenazi Jews also opened restaurants and cafes - creating a strong Yiddish community life in Belleville (22). However, all of this changed during World War 2, when the Jewish community in Belleville was greatly affected by anti-Semitic raids and deportations that occurred across Europe. As a consequence, the Ashkenazi Jewish population in Belleville greatly diminished. Yet, their historical presence still remains evident in the artisan shops, crafts, and delis left behind.
During the post-war period, following the deportation and displacement of Ashkenazi Jews, pro-immigration policies in France led to the arrival of both Sephardic Jews and Muslims from the former French colonies in North Africa, particularly Tunisia (23). The strong Tunisian and North African presence in Belleville remains extremely present when you visit the neighborhood. The main Boulevard de Belleville is lined with Tunisian cafes, pastry shops, and grocery stores selling typical Tunisian goods like Tuna and olive oil. Elderly Tunisian men can be seen sitting outside at local cafes or heading to the mosque with friends. Once again, however, one of the most fascinating sites is the coexistence of North African Jews and Muslims. In Belleville, Jews and Muslims live side by side. Local shops, cafes, and boucheries have halal and kosher signs posted outside of storefronts. Signs are written in both Arabic and Hebrew. For both communities, their common ethnic and cultural identity remains a strong unifying force.
Throughout the 1960s, immigration to Belleville continued with the arrival of Sub-Saharan Africans and Asians, primarily from China and Vietnam (24). Their presence in the neighborhood is extremely strong. Many Vietnamese restaurants and African markets line the busy streets, creating a community rich with culture and diversity. The beauty of Belleville lies in its ostentatious display of culture. Signs are clearly written in a diverse array of languages - from Vietnamese to Arabic and Hebrew. Murals displaying images of young African girls and Asian caricatures line Rue Denoyez. Although gentrification has attempted to overtake the neighborhood, the city’s diversity remains quite strong.
Barbès et La Goutte d'Or
Barbès and the Goutte d’Or neighborhoods are located in the 18th arrondissement of Paris. Both neighborhoods are often viewed as predominantly “African neighborhoods” due to the large population of North African, West African, and Sub-Saharan African residents (25).
The two neighborhoods were initially developed in the 1840s as temporary housing for workers from the provinces (26). Eventually, when World War 1 began, the French government employed nearly “half a million” laborers, primarily from the former French colonies in North Africa, to work in the country’s industries (27). Many of these laborers brought their families along with them, settling in the working-class neighborhoods of Barbès and La Goutte d’Or. Overtime, families from West and Sub-Saharan Africa followed, opening a large number of specialty shops, retail stores, and businesses (28). As you walk along the busy streets of Barbès, you will find shops with high towers of African textiles and grocery stores packed with bright-colored exotic fruits. Most importantly, however, you will find the streets brimming with laughter and smiling faces - neighbors greeting one another with a big smile as they cross busy streets or laughing over drinks at the local coffee shop. However, despite this vibrant and tight-knit community atmosphere, both the Barbès and La Goutte d’Or neighborhoods have come under great scrutiny due to the increasing presence of criminal activity. Branded as a “no-go zones” by media outlets like Fox News, locals argue that this image is “one-sided and unfair" (29). Despite their notoriety, Barbès and La Goutte d’Or have resisted gentrification for years. While they might be perceived as "unsafe" or "undesirable" neighborhoods to some, gentrification and racially-charged stereotypes should not be the solution. Rather, policymakers and community leaders should focus on fostering cross-cultural communication and promoting economic growth without destroying the social and cultural fabric of these diverse neighborhoods. They should invest in schools and social opportunities instead of pushing people out or creating division.
Bibliography
(1) Sotheby's. (n.d.). Le Marais - History. Paris Ouest Sotheby's International Realty. Retrieved from https://www.parisouest-sothebysrealty.com/en/history-marais-paris/
(2) Isidora Stanković, « Heritagization of the Marais District in Paris: Actors and Challenges », in Dominique Poulot and Isidora Stanković (Eds.), Discussing Heritage and Museums: Crossing Paths of France and Serbia, Choice of Articles from the Summer School of Museology Proceedings, Paris, Website of HiCSA, online October 2017, p. 80-99.
(3) Ibid.
(4) Ibid.
(5) Ministère de la Culture. (n.d.). 50th Anniversary of the Malraux Law. Ministère de la Culture. Retrieved from https://www.culture.gouv.fr/en/Actualites/Cinquantenaire-de-la-loi-Malraux
(6) Isidora Stanković, « Heritagization of the Marais District in Paris: Actors and Challenges », in Dominique Poulot and Isidora Stanković (Eds.), Discussing Heritage and Museums: Crossing Paths of France and Serbia, Choice of Articles from the Summer School of Museology Proceedings, Paris, Website of HiCSA, online October 2017, p. 80-99.
(7) Musée de l'histoire de l'immigration. (n.d.). Quartier de Belleville, Paris. Musée de l'histoire de l'immigration. Retrieved from https://www.histoire-immigration.fr/quartier-de-belleville-paris
(8) Zederman, M. (2014). Memories of the Paris Commune in Belleville since the 1980s: folklorization and new forms of mobilization in a transforming quartier. History and Memory, 26(1), 109. https://doi.org/10.2979/histmemo.26.1.109
(9) ibid.
(10) Ibid.
(11) Willsher , K. (2016, March 31). Story of cities #12: Haussmann rips up Paris – and divides France to this day. The Guardian. Retrieved from https://www.theguardian.com/cities/2016/mar/31/story-cities-12-paris-baron-haussmann-france-urban-planner-napoleon
(12) Ibid.
(13) Ibid.
(14) Ibid.
(15) Ibid.
(16) Benjamin, W. (2019, June 17). Haussmann ou le Triomphe (toujours actuel) de la Pensée Bourgeoise de la Ville -. lundimatin. Retrieved from https://lundi.am/Haussmann-ou-le-triomphe-toujours-actuel-de-la-pensee-bourgeoise-de-la-ville
(17) Willsher , K. (2016, March 31). Story of cities #12: Haussmann rips up Paris – and divides France to this day. The Guardian. Retrieved from https://www.theguardian.com/cities/2016/mar/31/story-cities-12-paris-baron-haussmann-france-urban-planner-napoleon
(18) Ibid.
(19) Ibid.
(20) Musée de l'histoire de l'immigration. (n.d.). Quartier de Belleville, Paris. Musée de l'histoire de l'immigration. Retrieved from https://www.histoire-immigration.fr/quartier-de-belleville-paris
(21) Ibid.
(22) Ibid.
(23) Ibid.
(24) Ibid.
(25) Chabrol , M. (2013, May 22). Château Rouge: A "Little africa" in Paris? Metropolitics. Retrieved from https://metropolitics.org/Chateau-Rouge-a-Little-Africa-in-Paris.html
(26) University of York . (n.d.). Chateau Rouge/ Goutte d'Or, Paris. Archiving The Inner City. Retrieved from https://archiving-inner-city.org/chateau-rouge-goutte-dor-paris/
(27) Ibid.
(28) Ibid.
(29) TRTWorld. (2020, August 12). Goutte d'or in Paris challenging racism and stereotypes. Retrieved from https://www.trtworld.com/life/goutte-d-or-in-paris-challenging-racism-and-stereotypes-38834